Life is like a Denglou, For a grander sight, a higher level. There are a number of stages of life, philosophy, people have their own grouping. The Danish philosopher Soren Kierkegaard would life be divided into three stages, namely: the aesthetic stage, the stage of moral and religious stages. The German philosopher Nietzsche believes that in life there are three periods, namely: gregarious period, and the creation of the desert during the period. Gregarious period, the self has not yet regained consciousness, the individual being hidden in the group; desert period, self-consciousness, began thinking about loneliness; the creation of time, through individual tends to create a unique culture of the territory of the eternal. From 2 to harass the landlords of the distant thought of thought, to stay in the ancient Chinese Zen poetry, aesthetics various fields, but also better life, three on the territory of the extraordinary argument.
Zen to practice Buddhism in the Song Dynasty is divided into three realms. The first realm is \"full of empty mountains, fallen leaves, where can we find Fang track\"; second realm is \"empty mountains, rivers flow blooming\"; The third realm is \"eternal sky, once they Temptress Moon.\" Three realms of both \"empty\" words, 3 level, this is the \"empty\" of three different interpretations. First state in the \"seek,\" which shows up days people ask their own origins, asked the so-called \"Who am I? I come from? I go?\" In three eternal problem. Second state in the \"no\", indicating that people have spun off from nature, and the external \"water flowers\" self-contained independent world. The third realm of the \"eternal\" and \"as soon as\" the integration of the same, then people with limited time and space beyond, after a double negation to reach Heaven and Man of the territory after.
By the Zen thinking, the Southern Song Dynasty Poetry House Yan Yu in \"Cang Lang Shi Hua\", the proposed study poetry throughout the three: \"The first does not know the likes and dislikes, at great length, Stanford pens made; both knowledge ashamed before recoil of Health, Cheng The extremely difficult; till thoroughly, then the vertical and eight horizontal 7, come in handy, good choices are. \"on the main body of the poet, the heart was initially freely and does not distinguish beauty and ugliness, in a virgin state; While recognizing that the rules and became law after the on the bound and bundled into being; and finally shake off the shackles of all external access to the subject and object of the fit, but also received a real, pure freedom. At this time, can only \"line, walking, nothing more than Road, aspect itself, is nothing more than France
Yan Yu, the poet Pande Xing You Yun: \"Poetry has three border, there are three border to study poetry. Kiyomichi taking the first, sub-advised police refining, the final is still natural and poetry throughout the three people.\" PAN is that poetry, in fact, is it not talking about life? A return to basics in life, that is, a \"出淤泥而不染\" lotus.
Eventually Zen, poetics and philosophy of life mastery, cast as a whole is that the great master the late Qing Wang Guowei. Wang in the \"Human Words\" and said: \"The ancient and modern, the cause of National Cheng Kung University, the University asked by the neglect of the state without going through three kinds: \'Last night westerly withered Bishu. Alone on the high-rises, Wang Jin Wandering Road.\' This first realm of also. \'belt she does not regret becoming wide-end, in order to eliminate the Iraqi people have to languish.\' This is also the second realm. \'public li find him hundreds of times when I look back, that people are lights Bend.\' This is also the third realm. \"and Soren Kierkegaard, Nietzsche\'s description compared to Wang Guowei\'s exposition is a typical Chinese style is poetic cohesion, is absorbed in the spirit. It is a purely Bao Yun\'s life experience, people break through the inertia of their own lives; it to set the coordinates of filling breath of life, and guide people to achieve a sort of eternal freedom throughout.
分页标题#e#
There is such a realm of life so that we look up to, why should we be afraid of it at the foot of silt
人生如登楼，欲穷千里目，更上一层楼。人生有若干个阶段，哲人们有各自的划分办法。丹麦哲学家齐克果将人生分为三个阶段，即：审美阶段、道德阶段和宗教阶段。而德国哲学家尼采则认为，人生有三个时期，即：合群时期、沙漠时期和创造时期。合群时期，自我尚未苏醒，个体隐没在群体之中；沙漠时期，自我意识觉醒，开始在寂寞中思索；创造时期，通过个人独特的文化创造而趋于永恒之境。从两位西哲的邃思联想开去，在中国古代的禅宗、诗学、美学诸领域，也有好些关于人生三境的妙论。
宋代禅宗将修行分为三个境界。第一境界是“落叶满空山，何处寻芳迹”；第二境界是“空山无人，水流花开”；第三个境界是“万古长空，一朝风月”。三个境界中都有“空”字，三个境界就是对“空”的三种不同的理解。第一境界中的“寻”，表明人向上天追问自身起源，追问所谓“我是谁？我从哪里来？我到哪里去？”的三个千古难题。第二境界中的“无”，表明人已经从自然中剥离出来，与外在的“水流花开”自成一独立世界。而第三境界中的“万古”与“一朝”的融合同一，则说明人对有限时空的超越，经过否定之否定之后达到天人合一之境。
受禅宗思想的影响，南宋诗论家严羽在《沧浪诗话》中，提出学诗的三境：“其初不识好恶，连篇累牍，肆笔而成；既识羞愧，始生畏缩，成之极难；及至透彻，则七纵八横，信手拈来，头头是道也。”就诗人的主体而言，心灵最初是自由自在的，不辨美丑，处于童贞状态；当认识到规矩和成法之后，就陷入束缚和捆绑之中；最后摆脱一切外在的桎梏，获得了主体与客体的契合，也获得了真正的、纯粹的自由。这时，方能“行住坐卧，无非是道，纵横自在，无非是法
严羽之后，诗人潘德兴又云：“诗有三境，学诗亦有三境。先取清通，次宜警炼，终尚自然，诗之三境也。”潘氏是在说诗，其实何尝不是在说人生呢？返朴归真的人生，就是一朵“出淤泥而不染”的荷花。
最终将禅学、诗学与人生哲学融会贯通，铸为一体的，是晚清一代宗师王国维。王氏在《人间词话》中说：“古今之成大事业、大学问者，罔不经过三种之境界：‘昨夜西风凋碧树。独上高楼，望尽天涯路。’此第一境界也。‘衣带渐宽终不悔，为伊消得人憔悴。’此第二境界也。‘众里寻他千百度，蓦然回首，那人正在灯火阑珊处。’此第三境界也。”与齐克果、尼采的描述相比，王国维的论述是典型的中国式的，是诗意的凝聚，是精神的贯注。它包蕴了一种纯粹的生命体验，使人突破自身生活的惰性；它设定了生命气息充盈的坐标，引导人达到一种永恒的自由之境。
有这样的一种人生境界让我们仰望，我们何必惧怕脚下的淤泥呢